Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jacob van Ruisdael 02

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
10232		View of Haarlem with Bleaching	Grounds c 1665 Oil on canvas, 62,2 x 55,2 cm Kunsthaus, Zurich
50068		View of Haarlem with Bleaching Grounds	mk207 Signed,lower left about 1670-75 Canvas 62.2x55.2cm
50117		View of Haarlem with Bleaching Grounds	mk207 Signed early 1670s canvas 55.5x62cm
50121		View of Het Lj on a Stormy Day	mk207 65.8x82.7cm
50122		View of het lj on a stormy Day	mk207 65.8x82.7cm
50097		View of Naarden	mk207 Signed and dated 1647 34.8x67cm
50118		View of the Dunes near Bl oemendaal with Bleaching Fields	mk207 Signed Canvas 52x65.2cm
50114		View of the Ruins of Huis ter Kleef and Haarlem	mk207 Signed second half of the 1670s canvas 40x40cm
10234		Village at Winter at Moonlight	Oil on canvas 36 x 32 cm Staatsgalerie, Schleissheim
50111		Village in Winter	mk207 Signed about 1665 Canvas 36.7x32.5cm
10239		Waterfall by Church	1667Oil on canvas 109 x 131,5 cm Wallraf-Richartz Museum, Cologne
50082		Waterfall in a Hilly Wooded Landscape	mk207 Signed About 1660 Canvas 105.5x123.4cm
50089		Waterfall in a Mountainous Landscape with a Ruined castle	mk207 Signed About 1665-70 Canvas 119x180cm
10240		Waterfall in a Rocky Landscape	1660Oil on canvas 98,5 x 85 cm National Gallery, London
50091		Waterfall near oan Oak wood	mk207 Signed Late 1660s Canvas 142x195cm
50079		Waterfall with a Half-timbered House and Castle	mk207 Signed on a rock lower right About 166.5 canvas 99.7x86.3cm
10237		Waterfall with Castle Built on the Rock	1665Oil on canvas, 100 x 86 cm Herzog Anton Ulrich-Museum, Braunschweig
10242		Wheat Fields	1670 Oil on canvas, 100 x 130,2 cm Metropolitan Museum of Art, New York
50109		Windmill at Wijk bij Duurstede	mk207 Signed About 1670 Canvas 83x101cm
24176		Windmill by a Stream (mk25)	c 1646
10244		Winter Landscape	1670 Oil on canvas 42 x 49,7 cm Rijksmuseum, Amsterdam
50075		Winter Landscape	mk207 Signed,lower right Late 1660s Canvas 5.2x68.6cm
50112		Winter Landscape with a Lamp-post and and a Distant view of Haarlem	mk207 1670s Canvas 37x32cm
50113		Winter landscape with two windmill	mk207 Signed about 1675-80 Canvas 38x42.5cm
50090		Wooded river bank	mk207 Monogrammed 1650s Panel 26.4x35.5cm

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Jacob van Ruisdael

Dutch Baroque Era Painter, ca.1628-1682 Ruysdael's favorite subjects are simple woodland scenes, similar to those of Everdingen and Hobbema. He is especially noted as a painter of trees, and his rendering of foliage, particularly of oak leaf age, is characterized by the greatest spirit and precision. His views of distant cities, such as that of Haarlem in the possession of the marquess of Bute, and that of Katwijk in the Glasgow Corporation Galleries, clearly indicate the influence of Rembrandt. He frequently painted coast-scenes and sea-pieces, but it is in his rendering of lonely forest glades that we find him at his best. The subjects of certain of his mountain scenes seem to be taken from Norway, and have led to the supposition that he had traveled in that country. We have, however, no record of such a journey, and the works in question are probably merely adaptations from the landscapes of Van Everdingen, whose manner he copied at one period. Only a single architectural subject from his brush is known--an admirable interior of the New Church, Amsterdam. The prevailing hue of his landscapes is a full rich green, which, however, has darkened with time, while a clear grey tone is characteristic of his seapieces. The art of Ruysdael, while it shows little of the scientific knowledge of later landscapists, is sensitive and poetic in sentiment, and direct and skillful in technique. Figures are sparingly introduced into his compositions, and such as occur are believed to be from the pencils of Adriaen van de Velde, Philip Wouwerman, and Jan Lingelbach. Unlike the other great Dutch landscape painters, Ruysdael did not aim at a pictorial record of particular scenes, but he carefully thought out and arranged his compositions, introducing into them an infinite variety of subtle contrasts in the formation of the clouds, the plants and tree forms, and the play of light. He particularly excelled in the painting of cloudscapes which are spanned dome-like over the landscape, and determine the light and shade of the objects. Goethe lauded him as a poet among painters, and his work shows some of the sensibilities the Romantics would later celebrate.

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